a rojarias soulmate AU teaser, if you will.
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Alright, let’s GO: Part 1 up now. The ties that bind
The red string of fate is a tale as old as time, and it isn’t that Sam doesn’t believe in it. She absolutely, wholeheartedly does. In fact, she probably believes in it more than a well-adjusted adult should.
Andrea knows a soulmate is someone sacred. They’re someone permanent and valuable and hers. It’s not something she’ll readily admit out loud, but the prospect of having someone out there made for her is addicting. It’s the only thing she clings to when everything feels overwhelming and impossible. She thinks about it quite often, actually, but if anyone asks, she’ll deny it.
OR
Sam and Andrea despise each other, but when they meet in person for the first time, they realize the red string of fate has them connected. Chaos ensues.
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Assi Rahbani says in one of his interviews:
Fairuz never forgets insults, no matter how minor they are. Before her marriage, twenty years ago, there was an instance where Assi was late after asking her to wait for him so that they could go recording together. It happened to rain that day, and Fairuz had waited for a long time in the rain. Fairuz's memory never dies, and for twenty years she reminded Rahbani on every occasion that she came to their date, waited for a long time, and got drenched in rain. So, Rahbani decided to write the lyrics of this song and give it as a clear apology for his wrongdoing towards the lover who did not, and will not forget.
بأيام البرد وأيام الشتي
والرصيف بحيرة والشارع غريق
تجي هاك البنت من بيتها العتيق
ويقل لها إنطريني وتنطر عالطريق
ويروح وينساها وتدبل بالشتي
In the cold days, in the days of winter,
When the sidewalk has become a lake and the street is drowned,
This girl has come from her old house to await him.
He told her to wait, but he has gone away
And forgotten her, and she pines away in winter.
After Fayrouz heard the lyrics and melody, and she sang it in her voice, she looked at the eyes of Assi with love and affection and said:
'Now I forgive you.'
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A decade of Katie McGrath













